Turns out, Hammer was still making entertaining and even innovative films in the 1970s.
The draw here is the intricate production design and Anderson’s direction of action scenes.
Song of the Miraculous Hind is one of Jankovics’s most phantasmagoric works.
Franco’s distaff Dracula riff cheekily upends the conventions of vampire cinema.
These films follow honorable samurai on missions to assassinate corrupt lords and politicos.
Salem’s Lot is a masterclass in televisual terror.
Lelouch’s Palme d’Or-winning international breakthrough treasures mood above all else.
The film is a distillation of the critiques embedded in the wuxia genre’s most popular classics.
A Bridge Too Far is a fascinating mix of aesthetic and tonal contradictions.
Radiance’s UHD is the definitive home video presentation of Passer’s masterful neo-noir.
Criterion’s new release of Sautet’s doom-laden debut feature boasts a gorgeous new 4K transfer.
Littman’s post-apocalyptic drama from 1983 receives a subtly beautiful transfer.
This epic examination of old-fashioned American greed gets a ravishing transfer from Criterion.
Thanks to a new 4K digital restoration, the film’s perversions have never felt more incendiary.
The film delivers a deft fusion of horror-movie tropes, social satire, and cult-film weirdness.
This film about a world hellbent on self-destruction rings as true today as it surely did in 1948.
The trilogy broke new ground just as the death knell for the yakuza film was tolling loudly.
The set features five films and a recent documentary on the life and career of the horror icon.
For all his stupefying narrative gymnastics, Paradisi is nothing if not a talented stylist.
Network remains a darkly humorous and relevant treatise on capitalism’s erosion of morality.
This set attests to the magnetism of a major screen presence.