Turns out, Hammer was still making entertaining and even innovative films in the 1970s.
Arrow’s 4K of Boorman’s Arthurian epic is one of 2026’s first great home video releases.
Blu-ray Review: John Cassavetes’s ‘A Woman Under the Influence’ on the Criterion Collection
This release is a budget-friendly entry point to the work of an independent maverick.
The Coen brothers’ under-heralded noir tribute receives a sparkling transfer.
With Playtime, Tati made one of the most fully inhabitable films ever.
3:10 to Yuma is one of the most beautiful and human of all American westerns.
John Woo Between Extremes: ‘Bullet in the Head’ and ‘Once a Thief’ Join the Shout! Factory
These films have long been obscured by the shadows cast by The Killer and Hard Boiled.
Casting Out Demons: ‘Exorcismo: Defying a Dictator & Raising Hell in Post-Franco Spain’
When Francisco Franco died in 1975, his passing led to a sea change in Spanish cinema.
Criterion’s 4K UHD release is sure please fans of the cult classic.
Kino’s 4K UHD release represents the definitive edition of Beineix’s cult classic.
Criterion’s presentation of a new 4K restoration of the film looks fantastic.
Blu-ray Review: ‘Martin Scorsese’s World Cinema Project No. 5’ on the Criterion Collection
Criterion offers another slew of neglected classics their much-deserved moment in the sun.
Glazer’s eerie, melancholy film maudit finally makes its way to high-definition home video.
Review: John Huston’s Adaptation of James Joyce’s ‘The Dead’ on Criterion 4K UHD Blu-ray
The film is one of the finest literary adaptations and artistic swan songs ever made.
This classic swashbuckler gets a stunning new 4K transfer and small yet incisive batch of extras.
It’s hardly surprising that the series’s mysteries are rarely meant to withstand scrutiny.
Yang’s Yi Yi is a moving celebration of family and cultural identity.
Dead Man is Jarmusch’s response to the casual imperialism of the western genre.
Scars of Dracula marked a turning point in Hammer’s Dracula series.
It’s high time for a reappraisal of O.C. and Stiggs as a vintage Altman satire of the 1980s.
Despite its satirical undercurrent, American Utopia doesn’t wallow in cynicism.