It may be without any new extras, but Warner’s 4K UHD release of Casablanca features a strong enough A/V presentation to make the set worthy of your double dip.
It doesn’t take a lot of brains to recognize this as the definitive home video release of the film.
A profoundly beautiful restoration makes this release a must-own for Lynch aficionados.
Michael Mann’s moody crime classic gets a definitive release in the UHD format.
This dreamy, playful, tender ode to having loved and lost instead of never loved at all finally gets the transfer that it deserves.
Brutal, trenchant, and unsettlingly surreal, Alex Cox’s Walker gets a spiffy new Blu-ray upgrade from Criterion.
Béla Tarr’s doom-laden noir is treated to a long-awaited 4K restoration of exquisite clarity by Arbelos Films.
Andrzej Zulawski’s kinetic reimagining of The Idiot receives a handsome new transfer and a solid assortment of extras.
Don’t let’s ask for the moon. We have Criterion’s dazzling new restoration of Now, Voyager.
I’m sure Andy Serkis is satisfied cashing his checks for what will surely be a lucrative new job.
Szamanka drifts between horror and humor, and thus is not for everyone.
Entertainers focused on their own sense of self, such as performance artist Brother Theodore and filmmaker/actor Crispin Glover, are wonderfully loopy stunt interviews.
Korine touched base over the phone about his latest endeavor, sometimes taking the conversation seriously, other times veering into delightful hyperbole.
Burning Inside will surely find a loyal cult audience willing to tap into its rigorous midnight-movie sensibility.
One has to be adventurous and willing to ride the wave of satire, allusion, loquacity, and the stitched-togetherness of it all.
The final days of principal photography are upon us.
This indifferently made TV-horror flick will inspire more snores than scares.
It’s a prankster film that seems to have been made on the fly by Korine and a handful of his friends.
David Foster Wallace’s masterful prose doesn’t translate to cinematic language, and I doubt it would work in any context other than the page.
The film is very lively, somewhat thrown together in that loose yet aggressively visceral Abel Ferrara style.