The Italian Job is a raucous, riotously funny exemplar of Cool Britannia at its coolest.
Review: Daniel Haller’s Lovecraft Adaptation The Dunwich Horror on Arrow Video Blu-ray
Groovy and grotesque in equal measure, Daniel Haller’s film looks hauntingly good on Blu-ray.
Girl on a Motorcycle gets a stunning 4K upgrade as well as a meaty new commentary track.
The film has been given a new lease on home video life by a gorgeous 4K restoration.
These three films by Mai Zetterling are visually sumptuous and thematically trenchant.
Nightmare at Noon gets a sun-drenched 2K restoration and a generous supply of extras.
Jordan’s film makes its domestic Blu-ray debut in lustrous-looking UHD and HD.
Shout! Factory may as well have gone ahead and retitled this 4K release Blackest Christmas.
Night Gallery’s final season gets a stunning 2K restoration and a cornucopia of bonus materials.
The second season of Rod Serling’s horror anthology series looks downright cinematic in HD.
Daisies gets a superb 4K restoration and plenty of contextual bonus materials from Criterion.
Ray Dennis Steckler’s films reveal him to be a bona fide American surrealist.
This set contains gorgeously restored genre offerings buttressed by informative extras.
Fright Night fearlessly blends horror and comedy into one fetching confection.
Review: Francis Ford Coppola’s Bram Stoker’s Dracula Gets 30th Anniversary 4K UHD Edition
The film gets a gorgeous new UHD presentation that you can really sink your teeth into.
Review: Uchida Tomu’s Procedural Masterpiece A Fugitive from the Past on Arrow Blu-ray
A Fugitive from the Past is a sweeping, psychologically astute study in guilt and expiation.
Austere and affecting, Coming Apart reflects on varying acts of degradation and dissolution.
Curtis Harrington’s Mata Hari is an erotic melodrama of consummate craftmanship.
Gorgeously shot and affectingly brooding, Hôtel du Nord shows equal amounts of empathy for its occupants one and all.
Stanley Kubrick’s Paths of Glory gets a superlative 4K transfer and an enlightening commentary track from Kino Lorber.