King can still write a horror story that scares and delights in equal measure.
On the page, the main character’s musical aspirations never feel as alive as her interpersonal relationships.
It settles into a distinct rhythm as time passes and Lisicky’s relationship with his chosen town deepens.
The acclaimed crime novelist discusses his new collection of novellas, his influences, and more.
Though there’s a consistent amount of sex here, the book still feels like an act of extended foreplay.
How do we deal with a crisis when it isn’t presented as such?
Stamm accomplishes something remarkable by giving the reader a story that’s simultaneously disorienting and comforting.
What animates Sayles’s fiction is curiosity about different kinds of people and their experiences.
André Aciman’s novel is a series of ghost stories interrupted by fleeting flashes of light.
The book is Carmen Machado’s deeply intelligent and fiercely innovative account of her experience of domestic abuse.
It’s in the moral murk of a politically loaded situation that King finds the richest seam of his story.
It’s a moving, witty, at times almost trance-like work traversing age, aging, sickness and death, as well as joy, gratitude and wonder.
One of Zink’s missions is to navigate how the absence of one life continues to play on those left alive.
The novel succeeds, in part, by rejecting uncomplicated constructions of blame or causality.
Hoberman discusses how the art of filmmaking, and the business of moviegoing, influenced, mirrored, and altered Reagan’s presidency.
Tremblay discusses how horror can be a progressive, hopeful way to understand the world.
Thomas Harris’s novel fathoms man's depravity in ways that are at once spectacularly horrifying and mordantly amusing.
If you’re in a band, the Beatles taught you everything, whether you know it (or admit it) or not.