The year’s best music videos reflect the way we live now: the technology we use, the power we wield, and the places we carve out for ourselves.
Jenkins discusses his artistic inspirations, how he’s developed his cinematic voice, and more.
Pawlikowski discusses the reception of his films and why he doesn’t stick too closely to his own scripts.
The will to view films of the past, and the infrastructure to support this spectatorship, is alive and well.
Maybe instead of protection from pain, audiences are seeking out horror films as a form of reckoning with societal demons.
This list makes equal room for the lowest hanging Hollywood fruits and art-house fare convinced of its own cultural and artistic importance.
This year, films were emboldened to be themselves and to follow their creators’ obsessions into increasingly wild-and-wooly places.
This list recognizes games many of us love, but it devotes as much space to ones a few of us are passionate about.