Petzold discusses his collaborations with Harun Farocki and more.
Kore-eda discusses what motivated him to make his Palme d’Or-winning triumph.
The festival doesn’t try to keep glamour at a pronounced distance from anything that might be considered unsightly.
Oldham chats about his methodology, “objective truth” in songwriting, and politics in music.
It was clear that current issues and events had a significant impact on the programming decisions.
Doclisboa offers a vertiginously eclectic and vast lineup, with a mishmash of old and new films from a multitude of countries.
The actor-director discusses the value of telling this particular coming-out story.
A yearning for tolerance united many of the festival’s films.
Horror resents platitude, but the good horror film insists on the humanity that’s inextinguishable even by severe atrocity.
Grant discusses portraying persons who have good and bad in them.