We’ve compiled the best feature-length adaptations of King’s work, excluding the mostly mediocre TV adaptations.
Richter discusses how he connects his classical schooling to one of his other early passions: outer space.
The film image opens a space for both a reckoning with the old and the creation of the new.
The good horror film insists on the humanity that’s inextinguishable even by severe atrocity.
At the very least, these 13 weird movies can hold your attention, and deliver decent chills, especially with a nice buzz and low expectations.
Lapid discusses how he sought to confront audiences with questions about belonging, nationalism, and identity.
If zombies seem infinitely spongy as functional allegories, it’s their non-hierarchic function that retains the kernel of their monstrousness.
These are the films from this millennium that have most shocked us by plumbing our deepest primordial terrors.
The Oscar-nominated actor brought a sense of honor and dignity to every role he played.
These 25 Netflix original shows prove the marathon-watching juggernaut’s equal concern for both quantity and quality.
Finding the crux of a Pedro Almodóvar film is not unlike asking how many licks it takes to get to the center of a Tootsie Pop.
If cinema is, indeed, the domain of freedom, then the festival doesn’t see Netflix as the villain in that struggle.
Zombie discusses how he corrals his films’ furious sense of energy and how sex appeal can trump common moral sense.
A striking number of the titles that appeared in the festival’s competition slate this year operate in a playful, breezy register.
Hoberman discusses how the art of filmmaking, and the business of moviegoing, influenced, mirrored, and altered Reagan’s presidency.
These films are fearless in breaking down boundaries and thrusting us into worlds beyond our own.
Onah and Harrison discuss their approach to creating the film’s central character and how they navigated his many dualities.
Even the most casual exchanges at the festival ended with some variation of a sentiment that arose as a mantra: “It’s complicated.”
The filmmaker discusses his latest, and his antipathy toward the mass machine of modern pop culture.
The festival feels very much on the rise, both as an international industry shindig and a well-funded driver for cultural tourism.