This ostentatiously expensive remake is reliant on our memory of the original to accentuate every significant moment.
Japan Cuts has established itself as the definitive Japanese film festival in the United States, thanks to the scope of its programming.
The singer-songwriter opts to spend the entirety of the album strenuously avoiding his strengths.
Its repetitive tasks are like the usual arbitrary gates to reach a cutscene in a mediocre video game.
From the second you power on the game, its entire toy chest is open to you, no strings attached.
The similarities between SolSeraph and ActRaiser are unmistakable, but it’s a joyless facsimile that lacks a single spark of innovation.
Where the game goes in-depth, and where it clearly feels most comfortable, is in its omnipresent brawls.
As varied and intriguing as the game can get on a conceptual level, it outdoes itself in the minutiae of traversal and combat.
Worse than the sheer tedium of shooting is the effect it has on the game’s atmosphere.
Season three eschews the notion that there’s a single experience of the ‘80s that should dominate above the others.
The actress discusses her connection to New York, working with director Daniel Sullivan, and more.