Zombie discusses how he corrals his films’ furious sense of energy and how sex appeal can trump common moral sense.
If cinema is, indeed, the domain of freedom, then the festival doesn’t see Netflix as the villain in that struggle.
The album is, at least by the group’s typical power-pop standards, a heavier, murkier affair.
Gears 5 is the first time the series has made the brutality of its combat feel captivating and disturbingly intimate.
Without a sense of feedback or progress, the rambling, leisurely narrative of Telling Lies comes across as unfocused.
Our ancestors didn’t have it easy, and that’s the for-better-and-worse message reverberating through every interaction in the game.
If you ask if something is possible for you or your Legion to do in Astral Chain, most of the time, the answer is yes.
Not only does the game cheapen the idea that a dog is man’s best friend, it also falls apart like a cheap chew toy.
One hopes Man of Medan will function similarly to a mediocre TV pilot for a series that only later finds its footing.
The series is both beautiful and inventive, even if it uses the mental health of its protagonist as a story hook.
We’ve compiled the best feature-length adaptations of King’s work, excluding the mostly mediocre TV adaptations.