The album is at once a reckoning and a self-conscious pivot.
Kurosawa’s first historical film offers a master class in framing and blocking.
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The film doesn’t push far beyond the talking points of Araki’s philosophy of sex.
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There’s something pleasingly unpretentious about how little room the film leaves for subtext.
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Motor City channels the spirit of the vigilante films and other exploitation genres of the 1970s.
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The singer has yet to discover a sound or sensibility that truly distinguishes her.
The singer has teased a new release date for the set and announced a companion album to boot.
The Leeds junglist tells a story in the wrong order, in the right way.
Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
The show has trouble leaning into kick-ass naughtiness for more than a few minutes at a time.
The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
The common refrain this season has been one of despair, of theatrical death by dearth.