There’s barely a single scare in David Gordon Green’s Halloween that isn’t undermined by some forced bit of funniness.
The rapport between Richard E. Grant and Melissa McCarthy offers deeper pleasures than the main plot of Can You Ever Forgive Me?
Jonah Hill’s feature-length directorial debut, Mid90s, is a repository of contemporary indie trends.
The Guilty is a taut chamber thriller dominated by Jakob Cedergren’s flinty yet highly emotive visage.
The Romanoffs, an anthology series co-written and directed by Matthew Weiner, is ambitious but disappointingly inconsistent.