It’s no surprise that the milieus of our favorite films of the year invariably thrive on the fringes.
The film again proves that Lanthimos is a skilled director of blunt strangeness and surreality.
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The film mostly fails to make a convincing case for Aardman’s old-school artisanal approach.
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This adaptation of Caste: The Origins of Our Discontents is equal parts unwieldy and ambitious.
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The film is consistently revealing tale about how morality drives a wedge between people.
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If the biggest, hookiest songs of 2023 are united by anything, it’s the insurgents who made them.
The album’s idiosyncratic nature only makes it that much more appealing.
The album effectively allows listeners pick their favorites mixes and create their own playlist.
Wenders discusses how Kiefer’s work informed the craft of Anselm and more.
Kat Sadler and Lizzie Davidson’s series takes a look at mental illness dead in the eye with a daring grin.
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The scope and richness of the 20 shows below offer glimmers of hope for TV’s future.
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Luhrmann seems less interested in accurately depicting Australia’s ugly past than in creating a national myth.
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On the occasion of Godzilla Minus One’s release, we ranked the films in the Godzilla franchise.
There are few dramatic moments that justify the music that stems from the songs.
It’s surprising how much of Spamalot’s humor now feels rooted in an earlier time.
I Need That is a vehicle built for two that mostly just spins its wheels.