The rapport between Richard E. Grant and Melissa McCarthy offers deeper pleasures than the main plot of Can You Ever Forgive Me?
Jonah Hill’s feature-length directorial debut, Mid90s, is a repository of contemporary indie trends.
The Guilty is a taut chamber thriller dominated by Jakob Cedergren’s flinty yet highly emotive visage.
The Romanoffs, an anthology series co-written and directed by Matthew Weiner, is ambitious but disappointingly inconsistent.
These are the films from this millennium that have most shocked us by plumbing our deepest primordial terrors.