With his latest, Spielberg clutches to the memories of bygone moments and media.
Adam Shankman’s daffy disaster comedy suggests Airplane! by way of Sharknado.
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Koepp discusses working with Spielberg and what he hopes viewers will take from the film.
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There’s a lived-in quality to Promised Sky that’s evident from its opening scene.
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The film is devastatingly vital, just as much now as it was at the time of its making.
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The song marks the singer’s return to the country music genre.
Though the album is consistent in its moody menace, it charts too-familiar territory.
The album is a deliriously silly, sneakily sturdy blast of Euro-rave pop.
Suzuki discusses his influences and process, his kinship to his main character, and more.
The series has morphed from a “social experiment” into TV’s most complex competition.
The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
The common refrain this season has been one of despair, of theatrical death by dearth.
The play is a metaphor for a life in the arts, though also possibly love, or living a purposeful life.