The 2019 Electronic Entertainment Expo presented an industry in transition.
The anthology justifies Mick Garris’s passion for horror, though he ironically proves to be one of his project’s liabilities.
The video takes the notion of visibility as a means of acceptance to the extreme.
This is a rare adventure game in which the journey is actually more of a reward than the destination.
Even the few inventive stretches of the game are ultimately driven into the ground by a punishing sense of repetition.
Playing Pathologic 2 feels like suffering, and it’s meant to be that way.
The game forsakes worldbuilding as it increasingly gives itself over to making the most digressive of statements.
It fits together disparate genres so perfectly that you wonder how nobody thought to combine them sooner.
It’s not greed in this day and age to expect publishers to respect and preserve their history. At this point, it’s an artistic responsibility.
The show’s third and final season is a visual achievement, typified by imaginative flights of absurdism.
Upon the release of Pixar’s Toy Story 4, we’re counting down the animation studio’s 21 films, from worst to best.