The good horror film insists on the humanity that’s inextinguishable even by severe atrocity.
Nayman’s discussion of Anderson’s ellipses implicitly cuts to the heart of why some critics and audiences resist Anderson’s work.
The singer's new single is filled with plenty innuendo and feminist messaging.
Star Wars Squadrons proves that last year’s excellent Jedi: Fallen Order was no fluke.
In theory, its intricacies should be bracing, but in practice the fixation on spacing and formation further slows down the pace.
Spelunky 2 remains staunchly committed to its immaculate core design.
Everything truly good in Marvel’s Avengers is compromised by its mercenary feature set.
You never lose sight of No Straight Roads’s thematic intent during its big show-stopping numbers.
The game lacks for Samurai Jack’s smooth, stylish animation and deceptively deep characterizations.
The show’s third season plays it ideologically and conceptually safe.
The Pumpkins have transcended any one moment or movement, instead reveling in the entire tessellation of 20th-century art.
K-Ming Chang’s debut novel is about the echoes of yesterday butting heads with the realities of today.