Luca Guadagnino’s Suspiria is a funereal pseudo-realist drama about political upheaval and the violence of systems that’s at odds with itself.
The Fog is pivotal to the cementing of director John Carpenter’s aesthetic.
With Burning, Lee Chang-dong extraordinarily obliterates the bifurcation between life and representation.
As always with Frederick Wiseman, it’s the quotidian gestures that haunt one in Monrovia, Indiana.
Johnny English Strikes Again seems almost hellbent on aiming for the lowest common denominator at every turn.