The film is Quentin Tarantino’s magnum opus, a sweeping statement on an entire generation of American popular culture.
Many of the selections at this year’s festival were genre films, or, at least, exhibited notable genre-adjacent elements.
Alternating between color and black and white, the video’s concept is refreshingly simple.
It’s not greed in this day and age to expect publishers to respect and preserve their history. At this point, it’s an artistic responsibility.
The game’s first few acts are its finest, particularly for their strong sense of physicality.
The setting of the game is the familiar stuff of science fiction, but the lens through which it’s viewed is not.
It’s hard not to be disappointed in how little use the Wasteland has for you when you're not dealing in lead.
It’s unfortunate that A Plague Tale’s story falls short of its technical accomplishments.
The game is clearly geared toward young players, so expect a lightweight experience.
Ava DuVernay’s series is a handsomely mounted dramatization, but it often veers into the trite, obvious, and maudlin.
These are three enigmatic, challenging, and weird works of art by filmmakers pushing at the boundaries of the cinematic form.