The series eclipses its source material in capturing the omnidirectional dread of Lovecraftian horror.
Its emphasis on the achievement of the individual is practically antithetical to the conclusion drawn by Frances Hodgson Burnett.
The album proves that the rapper can keep pace with his contemporaries while drawing on the history of hip-hop.
To say that the game feels like a relic from a different age would be an understatement.
Everything about your quest feels dragged out to mask how little substance there is to Blessing in Disguise.
The game has the look of a thoughtful samurai epic, but the façade flakes under scrutiny.
While a lot of care has gone into refining the game’s combat, there’s no shortage of things to do outside of battles.
Make & Break is at its best when injecting variety into the campaign, not only mixing up the environments but the game modes.
Few of the game’s problems would be insurmountable in the face of an engaging narrative.
Though it doesn’t provide room for a fully formed character arc, the series is driven by its performances and mordant humor.
The actor discusses collaborating with Joe Swanberg and a wildly talented cast on his directorial debut.
King can still write a horror story that scares and delights in equal measure.