The film largely plays its scenario with a straight and gooey face, coaxing its actors to indulge their worst tendencies.
This season, Hollywood is invested in celebrating the films they love while dodging the cultural bullets coming at them from every angle.
Joanna Hogg has been flying under the radar for some time, but that’s poised to change in a big way.
For appealing to voters’ nostalgia for drunken karaoke nights of yore, one film has the upper hand here.
We’ve compiled the best feature-length adaptations of King’s work, excluding the mostly mediocre TV adaptations.
If it were biologically possible to do so, both Ed and I would happily switch places with A Quiet Place’s Emily Blunt.
If, in the end, the film’s narrative fails to cohere, the journey getting there is at least enjoyably swift-paced.
Bernardo Bertolucci’s film is a living, fluid organism that spans the distances between several poles of extremity.