For its 27th edition, the festival presented 20 features and six short films over five days.
Sayles discusses how his 1996 neo-western noir speaks to the present political climate.
In its new iteration, Under the Radar, which runs through January 21, hasn’t missed a step.
The domestic box office wasn’t the only thing saved by Barbenheimer last year.
Gálvez discusses why his feature-length debut always had to exist within the western genre.
In the 24 years since it hit airwaves, Survivor has morphed from a “social experiment” into TV’s most complex competition.
Durkin discusses his approach to genre and the film’s thematic overlap with his prior work.
In 2023, there was a happy diversity in the tapestry of the theater that resonated most deeply.
Friedel discusses how the film’s unconventional shooting style informed his performance.
When the going gets tough, the tough double down on the audience least likely to abandon ship.
The best music videos of the year emphasized meticulous technique over virality.
Wenders discusses how Kiefer’s work informed the craft of Anselm and more.
It’s no surprise that the milieus of our favorite films of the year invariably thrive on the fringes.
The best albums of the year sought to shatter interpersonal and emotional barriers.
If the biggest, hookiest songs of 2023 are united by anything, it’s the insurgents who made them.
The scope and richness of the 20 shows below offer glimmers of hope for TV’s future.
Each and every one of the games below came as a surprise to us in one sense or another.
To celebrate the 35th anniversary of this iconic institution, we’ve ranked 15 of the show’s best episodes.
Wiseman discusses how his latest documentary relates to frequent fascinations in his work.
Haynes discusses the repetitions that abound in the film and the search for emotional truth.
Borgli discusses his beef with the advertising industry, Nicolas Cage’s iconography, and more.