McElwee discusses, among other things, his new film and staring down the loss of his son.
To celebrate the release of In Times of Dragons, we’ve ranked all of the singer’s studio albums.
Martel discusses her first nonfiction work, the controversy around its subtitling, and more.
McCarthy discusses working with a bigger budget, crafting scares, and more.
The Swiss festival remains a haven for docuphiles.
Suda51 discusses his preference for collage aesthetics and artistic collaborations.
Magaro discusses why he thinks audiences understand his character’s controversial choice.
Aramayo discusses how he approached his portrayal of someone with Tourette’s.
Choudhury discusses acting opposite Daphne Rubin-Vega, working with Mira Nair, and more.
Ohs discusses why he likens his “table of bubbles” filmmaking approach to a scientific method.
Lowery discusses the creative uncertainty that led him to write Mother Mary.
Romvari discusses how her autobiographical first feature builds on her short work.
Upon the release of Kanye West’s Bully, we’ve ranked all of the rapper’s albums.
Gladstone discusses what she still carries from her experience playing Mollie Kyle.
Lapid discusses the necessity of shooting Yes while the carnage in Gaza unfolded.
This list is part sheepish capitulation to the role the Oscars have played in our lives.
In conjunction with the release of Marc by Sofia, we ranked Sofia Coppola’s films.
Koberidze discusses his Sony Ericsson-shot feature and why he’s fascinated by pixelated images.
Frémaux corrects the record on the Lumières’ importance to cinematic history.
This year’s best picture race is a legitimate death match between two equally appealing options.
Herzog discusses the genesis of his new documentary and the urgency of his filmmaking.