Challengers is an intoxicating showcase for the beauty and excitement of bodies in motion.
The film is a sensitive, dewy-eyed romance about two adults in the process of becoming.
Civil War is intelligent precision filmmaking trained on an impossible subject.
Y2K is ultimately less than the sum of its retro-styled parts.
Adlon’s film spins the corporeal realities of pregnancy into heartfelt comic gold.
This un-nice remake takes the business end of a broken beer bottle to the soul of the original.
This set will be a must-buy for completists, but it may be too light on extras for everyone else.
The film mines a rich vein of emotive pain without sacrificing an inch of its spooky sense of fun.
I’m Dangerous Tonight has looks to kill on Kino Lorber’s Blu-ray.
John McNaughton’s sun-soaked neo-noir gets a sensuous update from Arrow Video.
This new Firestarter is an almost anachronistically short production whose elements just sit there like mishandled kindling.
A film as misshapen and compelling as its central creature, Mary Shelley’s Frankenstein is a beautiful monstrosity in 4K.
All that’s missing from Arrow Video’s stellar release of Ridley Scott’s cult fantasy is an accompanying unicorn horn.
The gallows silliness of Jacques Tourneur’s film wins out despite a slight collection of extras.
Udo Kier discusses Swan Song, his work across his 50-year-plus career, and how he feels about being labeled a gay icon.
The newest release of Christophe Gans’s cult film will leave you howling for something better.
Vengeance Trails is unsurprisingly stuffed to the gills with extras that add immensely to the enjoyment of the four collected films.
Jaume Collet-Serra’s remake of House of Wax is a nostalgia trip worth taking for fans of noughties horror.
The film has endured as a key text in the emergent queer cinema thanks to its largely empathetic view of same-sex desire.
Irezumi is a worthwhile reflection of Japan’s changing post-war attitudes toward sex, art, and liberation.