It remains at once the most bracingly concrete and amorously diffuse of Antonioni’s films.
Criterion’s latest Eclipse set reveals an artist whose deceptively delicate touch helped French filmmaking transition into a new era of modernity.
These films find Varda at a succession of cultural and cinematic crossroads which evidence her uncommon adaptability and insatiable curiosity.
One of cinema’s great romantic tragedies, Chaplin’s Limelight continues to exude a very real weight in each of its rich, elegant images.
Herzog’s intended opus, like the task of his unintended surrogate, was at once hampered and heightened by its leader’s creative vision.
The film remains a fascinating, occasionally prophetic snapshot of a young filmmaker figuring out his political and aesthetic ideologies.
A legitimate cinematic rediscovery, this exquisite and prophetic film arrives on Blu-ray over 40 years after falling out of circulation.
Hawks’s western arrives in a handsome dual-format package from Criterion including the long-unavailable theatrical cut of the film.
Reconstructed and reclaimed as a classic 10 years ago, the film is done a disservice with a welcome but oddly incomplete combo package.