Kiarostami’s turn-of-the-millennium masterpiece arrives on a pristine-looking Blu-ray with an essential commentary track.
The film remains a fascinating, occasionally prophetic snapshot of a young filmmaker figuring out his political and aesthetic ideologies.
A legitimate cinematic rediscovery, this exquisite and prophetic film arrives on Blu-ray over 40 years after falling out of circulation.
Hawks’s western arrives in a handsome dual-format package from Criterion including the long-unavailable theatrical cut of the film.
Reconstructed and reclaimed as a classic 10 years ago, the film is done a disservice with a welcome but oddly incomplete combo package.
Losey’s Stranger on the Prowl suggests at least as much formal experimentation as it does political restlessness.
The film set the thematic template and aesthetic model for Siegel’s career.
Long saddled as simply an escapist comprise, Kurosawa’s unabashedly entertaining 1958 film gets an unexpectedly substantial Blu-ray upgrade.
The film is one of its era’s most indefinable pieces of cinematic nonsense.
In less than a minute, before the opening titles even conclude, the film has announced itself as something unique, perhaps indefinable.
The film all but predicted where Hitchcock would head in both style and scale in the coming decades.
Kaurismäki’s film steels itself against prevailing trends, whether of early-’90s association or a more contemporary variety.
Satyajit Ray’s final films ably maintained his predominant thematic concerns and commitment to humanistic storytelling.
This set will hopefully foster a dialogue and encourage further interest in these rare films and their contemporary counterparts.
It should endure as a crucial glimpse into the nexus of then-nascent celluloid/digital divide.
The film remains at once the most bracingly concrete and amorously diffuse work of Antonioni’s structuralist period.
Lewis Allen’s 1944 familial horror tale remains both stately and stoic, an aesthetic wonder far greater than the sum of its parts.
Franju’s 1960 classic continues to represent a pivot point between classic and modern horror idioms.
The work produced by Rossellini and his muse would do nothing short of usher in what we now know as the modern cinematic age.
Cohen Media Group continue their winning streak with the digital home-video debut of Jean-Pierre Melville’s little seen but influential 1959 tribute to American film noir.