The film is very lively, somewhat thrown together in that loose yet aggressively visceral Abel Ferrara style.
Michael Almereyda’s latest documentary is a series of incidents, moments in time, collected over 10 years of travel.
Von Trier is a compulsive button-pusher in the battle of the sexes, the battle of political correctness, the battle of cinema as playground of ideas.
Passing Strange is the kind of show that makes you want to get on your feet, jump around, and make noise.
Day sixteen is easily, without a doubt, the worst and most painful day of shooting on God’s Land.
We are over halfway through shooting God’s Land now—and seeing light at the end of the tunnel for some of our principal actors.
Abel Ferrara was in the right place at the right time to make Bad Lieutenant.
The film is a masterpiece, but not for the faint of heart.
At least as a balancing act between violent set pieces and charming banter, A Perfect Getaway is never dull.
The heart of the film is in the domestic scenes between the husband and wife.
The kid is standing there punching my hand over and over again, monitoring his breath.
This isn’t the realm of sentimentality, because love here is violent and obsessive and all-encompassing.
The second Zulawski film put out by Mondo Video maintains their impeccable standards of quality.
We are approaching the middle of our shooting schedule, and finally making some headway.
Let’s face it, there’s plenty wrong with the so-called wholesome entertainment of the mid-1980s.
Not one of the best looking episodes in the series, looking drab and dusty brown, this Deluxe Edition fares as well as you’d expect.
Jason gets the proper sendoff.
This sequel is one elaborate in-joke about itself, and if you like the series you might have affection for what it’s trying to do.
The film seemed like the ideal ending point for the lowbrow slasher series.
I suppose by the time you’re up to episode five of a redundant slasher series, you’ve got to spice things up somehow.