Apted discusses his relationship to his subjects, and his own transformation over the years.
Throughout, the remaining participants take stock of private and career successes as well as perceived failures.
It’s difficult to imagine a worse time to release Brian Kirk’s 21 Bridges than the present.
Our conversation led us into discussion about how far Mr. Rogers’s philosophy can extend into today’s world.
Johnson discusses his affinity for the whodunnit, his love of Agatha Christie, Star Wars, and more.
Marielle Heller takes a script that many filmmakers would turn into cringe-inducing treacle and interrogates the sentimental trappings.
Woke Disney, trying to navigate a tricky representational path, steps all over itself throughout.
Haynes discusses how the film quietly continues some of his aesthetic trademarks and thematic concerns.
At the center of the documentary is the struggle to reconcile the personal and political elements of art-making.
Susan Sontag’s debut film serves as an intriguing cinematic extension of her more well-known written work.
An airport novel of a movie, Bill Condon’s The Good Liar is efficient and consumable, if a bit hollow.
Haynes’s film intermittently hits upon a few original ways of representing its ripped-from-the-headlines mandate.
All the feminist virtue-signaling in the world can’t conceal the film’s creative conservatism.
Greenfield discusses how the film relates to her body of work and the warnings Americans ought to heed from it.
Brett Story’s documentary represents a city ground down by inequality and division.
It focuses equally on moments of shared connection and incidental loss until the two feel indistinguishable.
In the end, it can’t help but sentimentalize the better angels that supposedly reside in the land of liberty’s flawed human fabric.
We’ve compiled the best feature-length adaptations of King’s work, excluding the mostly mediocre TV adaptations.
There’s a lack of concreteness about the story and characters that render its reiteration of Christmas lessons utterly toothless.
In the film, the Battle of Midway suggests something out of a photorealistic animated film.