Throughout, François Ozon assiduously avoids sensationalism, compiling the story with an almost journalistic sobriety.
A remake of Child’s Play, starring Aubrey Plaza and Brian Tyree Henry, is now in the can and coming to a theater near you.
Mahershala Ali, still fresh off his prior win in this category, performs utter miracles with the role of jazz pianist Dr. Don Shirley.
Confusingly, the film rejects the commonplace notion that women actually have a decent grasp of what men think.
The film’s repetitive and lifeless dialogue robs otherwise charismatic performers of distinguishing characteristics.
There may be no jokes in Weekends, but it certainly doesn’t lack for virtuosity.
The filmmakers fail to realize that the darkest horror here doesn’t lie in the triumph of true evil.
By the end of Period. End of Sentence., woman after woman muses that she’s actually the stronger sex, and who in the Academy would dare argue otherwise?
Steven Soderbergh’s film considers modern media as a vehicle for revising white patriarchal capitalism.
A child in peril remains the fetish du jour of AMPAS’s Short Films and Feature Animation Branch.