Christopher Landon’s heady and entertaining sequel is a multiverse murder mystery rooted in experimental physics.
The film is, essentially, a lecture, with Varda’s talks from multiple events threading together highlights from her oeuvre.
Farhadi discusses the universal human instinct to distrust outsiders, the strong similarities between Spanish and Iranian culture, and more.
We’re well passed the halfway point in our Oscar prediction cycle and we’re struggling to sustain what little excitement we have for this enterprise.
Its intention is to put human faces to ISIS recruits, but its representation of radicalization is still uncomfortably one-sided.
Money corrupts, Cristina Gallego and Ciro Guerra’s would say. Easy money corrupts completely.
Behold the Biopic, the Pillar of the Great Man!
There’s a good chance that a female filmmaker will walk away with the Golden Bear for the second year in a row.
The actor discusses his lifelong fascination with fighting, doing his own stunts, his experiences with violence, and more.
Sergei Bondarchuk often seems to be attempting to synthesize the entire history of epic historical filmmaking into a single work.