The film is a sensitive, dewy-eyed romance about two adults in the process of becoming.
There’s considerable emotional truth on display throughout Benjamin Ree’s documentary.
The film takes the world’s addiction to self-actualization to one of its darkest implications.
The film is fatally convinced that it has a subversive relationship to genre.
The film brims with a vitality that’s in lockstep with the titular trio’s work and ethos.
A wealth of contrasting stimulation gives the film a singular and intimate atmosphere.
The film is an insightful look at modern discontent and the pandemonium that it breeds.
Bertrand Mandico’s film is the cinematic equivalent of a French Symbolist poem.
Alex Schaad’s film traffics in body ambivalence more than body horror.
Panico neither caters to newcomers to Argento’s work nor preaches to the converted.
Sam and Andy Zuchero’s film suggests a Pixar film by way of Stanley Kubrick.
Eisenberg’s film doesn’t embraces easy answers or platitudes.
The things that elevate Chiwetel Ejiofor’s film are those that elevated Rob Peace’s life overall.
Suncoast Review: Misplacing Its Priorities, Laura Chinn’s Coming-of-Age Tale Falls Into Cliché
This crowd-pleaser sets out to snuff out much of what’s so singular about its central story.
For all its thematic heft, and to its benefit, Exhibiting Forgiveness moves lightly.
There’s only so much Charles Stone III can do with the script’s “head held high” cornpone.
Shuchi Talati’s impressive debut feature fully recognizes the power of a lingering gaze.
Avilés discusses why it’s important to be in touch with a collective consciousness.
Soundtrack to a Coup d’Etat Review: The Rumble of Jazz and Politics in the Global South
The film is a stunning screed against colonial racism and state-sanctioned violence.
Sayles discusses how his 1996 neo-western noir speaks to the present political climate.
The film isn’t designed to challenge what you think you know about the Church of Satan.