Suzuki discusses his influences and process, his kinship to his main character, and more.
Davies Jr. discusses carrying his father’s name and being drawn to masculine imperfection.
If the film treats us, like its main character, as a piece of furniture, that’s probably by design.
Hope and fear are inextricably bound in Akinola Davies Jr.’s semi-autobiographical film.
This year’s festival didn’t lack for at once poetic and political works of art.
It’s easy to imagine the nihilistic avenues that Chapter 3 could have gone down but doesn’t.
Melling discusses serving a filmmaker’s vision, working with Alexander Skarsgård, and more.
Skarsgård discusses why it was important for him to find cracks in his character’s façade.
Jimpa’s exploration of non-binary identity ultimately proves superficial.
De Araújo’s sophomore feature is a harrowing chronicle of a premature maturation.
Not even a typically scenery-chewing Christoph Waltz can enliven the proceedings.
The film is at its most powerful when its message is condensed down into a single image.
For Wilde, this film about the troubled marriage between a neurotic and a cynic is personal.
This is a creepy horror tale that also happens to be a potent and poignant teen romance.
Writer-director Ian Tuason delights in deploying sound to eerily suggestive ends.
The film doesn’t push far beyond the talking points of Araki’s philosophy of sex.
The film suggests a 21st-century Bosch painting brought to you by OpenAI.
Pálmason discusses his approach to time, why creative conflict is crucial to him, and more.
Raimi’s film is zeitgeisty without being ostentatious about it.
Aidan Zamiri’s meta mockumentary about Brat Summer places vibes above storytelling.
The documentary ultimately reveals itself as a paean to female strength and resistance.