The Aussie director discusses why horror was the right vessel for his commentary.
The film is at its most powerful when its message is condensed down into a single image.
For Wilde, this film about the troubled marriage between a neurotic and a cynic is personal.
This is a creepy horror tale that also happens to be a potent and poignant teen romance.
Writer-director Ian Tuason delights in deploying sound to eerily suggestive ends.
The film doesn’t push far beyond the talking points of Araki’s philosophy of sex.
The film suggests a 21st-century Bosch painting brought to you by OpenAI.
Pálmason discusses his approach to time, why creative conflict is crucial to him, and more.
Raimi’s film is zeitgeisty without being ostentatious about it.
Aidan Zamiri’s meta mockumentary about Brat Summer places vibes above storytelling.
The documentary ultimately reveals itself as a paean to female strength and resistance.
The film is most interesting when it’s keyed to its main character’s existential malaise.
The longer the film continues, the more nuanced our picture of Natchez grows.
This finely shaded character study feels more than anything else like an existential parable.
The film could be seen as a show of Buddhist acceptance of art’s transience.
Green’s continually, and slyly, confronts us with our mortality.
The film spares some thought for the big questions of privacy, policing, and A.I.
Gans’s film does away with all the psychosexual nuance of Silent Hill 2.
The battles are just heating up.
Between various ritual scenes, Mother of Flies gives us minimal drama.
The film starkly reveals the toll propaganda takes on everyday individuals and communities.