The wallow in nostalgia and sentimentality isn’t a sign that the boys have grown soft.
Gans’s film does away with all the psychosexual nuance of Silent Hill 2.
The battles are just heating up.
Between various ritual scenes, Mother of Flies gives us minimal drama.
The film starkly reveals the toll propaganda takes on everyday individuals and communities.
This action thriller, starring Matt Damon and Affleck, makes for an enjoyably retro diversion.
Ryan Prows’s film comes across as just straight-up exploitative.
The Bone Temple doesn’t pack the moment-to-moment kineticism of the prior films.
Boonbunchachoke’s defense of historical memory couldn’t be more timely.
The film pays profound tribute to the perseverance of its subjects.
Birney discusses where he sees connective tissue between cinema and video games.
Greenland 2 plays out as a much more generic thriller than its predecessor.
Diaz discusses what he draws from other art forms as inspiration for his cinematic artistry.
The film at once wrings its premise for whimsical absurdism and slow-burn suspense.
The film is a subtle variation on the Dardennes’ deceptively simple brand of neorealism.
We Bury the Dead uses the walking dead to ruminate on loss and closure.
This Anaconda takes only the lightest of jabs at the Hollywood machine.
The first trailer for Nolan’s adaptation of Homer’s epic Greek poem is here.
Polinger, Blunck, and Martin discuss the film’s chilling depiction of childhood bullying.
Fastvold discusses how she sees the film in relation to the history of the U.S. at large.
O’Leary discusses what he learned from working alongside Safdie and Timothée Chalamet.