The star-studded “cinematic experience” made its debut at Tribeca Film Festival last week.
The album reaffirms how much ground the DJ can cover without ever moving very far at all.
The Queen of Pop’s first new solo song in seven years is a nostalgic dance-floor rave-up.
The music video for the song sees the singer wandering the Palace of Versailles.
The third album in the singer’s disco trilogy feels like something brighter and more perennial.
The singer just got one step closer to releasing an official Bond theme.
The album’s ambition is masked by its apparent effortlessness and embrace of pleasure.
The duo injects their new single with a distinct ballroom flair.
The installation will debut at Coachella’s new 17,000-square-foot underground bunker.
The album is rendered with the polish and ease of an artist who knows how to make it land.
Sword-fighting, bubble baths, and bed-hopping, oh my!
Fans will detect familiar ideas, though they’re expressed with a different vocabulary.
“G.O.D. and the Broken Ribs” and “Derecho Demonico“ see the musician in a battle with time.
Upon the release of Kanye West’s Bully, we’ve ranked all of the rapper’s albums.
Across 21 tracks, the rapper seldom develops any idea beyond a surface-level pass.
An album about what’s up with Ye that never gets around to exploring what’s up with him.
The album approximates the experience of doomscrolling through the hellscape we call life.
Slayyyter’s album is packed with exertions that are sure to leave you breathless.
The album reaffirms the singer’s refusal to be pigeonholed into any one genre.
The group’s self-titled debut anticipated the multimedia takeover of the music industry.
Margot Robbie steps into her fellow Aussie’s world for new Chanel handbag ad.