The star-studded “cinematic experience” made its debut at Tribeca Film Festival last week.
The album makes the tricky business of maturing into middle age feel almost intergalactic.
A welcome addition to both Blake’s discography and the anxious times we live in.
The euphoria that the album conjures is more akin to a runner’s high than an MDMA trip.
Bold truth-teller or cantankerous curmudgeon?
The EP is built around compulsive chains of interlocking parts, executed with factory precision.
That album is a song cycle about love that practically writes itself.
The album is exemplary of the ways in which art can be used to exorcise grief.
The album sees the singer facing down mortality with candor and humor.
The track makes a nod to Ennio Morricone’s theme song from The Good, the Bad and the Ugly.
Bono refers to the six songs that comprise the EP as “reactions to present day anxieties.”
The album isn’t a bold reinvention, but it reinforces what made Duff charming in the first place.
To celebrate her first soundtrack, we took a look back at Charli XCX’s discography.
Co-produced by Jack Antonoff, the four-minute track is filled with whimsy and drama.
The album mirrors the film’s penchant for bombast and grief while standing on its own.
The metalcore band comes off as confident and in complete control throughout the album.
The album mistakes adulthood for depth and discipline for risk.
The star-studded video makes its premiere exclusively on Apple Music and Spotify Premium.
The album frames intimacy as a risk worth taking regardless of the outcome.
The Boss minces no words, name-checking Donald Trump, Stephen Miller, and Kristi Noem.
The instrumental track is lifted from the soundtrack to the singer’s new tour mockumentary.