Turns out, Hammer was still making entertaining and even innovative films in the 1970s.
Arrow’s set is sure to be remembered as of the most impressive home video releases of 2023.
This release brings needed attention to a once lost film from an often neglected filmmaker.
Welles’s noir gets a sterling new transfer as well as a fine roster of extras both old and new.
Review: Hype Williams’s 1998 Crime Drama Belly Gets Lionsgate 4K Ultra HD Blu-ray Edition
Hype Williams’s cult noir looks more eye-popping than ever on Lionsgate’s UHD.
Kino has outfitted this release with a solid transfer and a fun, informative audio commentary.
Truffaut’s late-career triumph remains a moving paean to obsessive love.
These films feel like the works of someone who had yet to truly find their own voice.
The film suggests that there’s a way to reconcile oneself with the ghosts of cinema past.
The Italian Job is a raucous, riotously funny exemplar of Cool Britannia at its coolest.
Mosese’s fiction feature debut receives a vibrant transfer and a small but solid slate of extras.
Review: Daniel Haller’s Lovecraft Adaptation The Dunwich Horror on Arrow Video Blu-ray
Groovy and grotesque in equal measure, Daniel Haller’s film looks hauntingly good on Blu-ray.
The film remains a conscientious depiction of the bitter realities of race in America.
Gilliam’s film gets a superlative new transfer and a bounty of (entirely true) extras.
Cohen Media Group’s transfer perfectly captures the elegance of Caroline Champetier’s lensing.
Girl on a Motorcycle gets a stunning 4K upgrade as well as a meaty new commentary track.
The film has been given a new lease on home video life by a gorgeous 4K restoration.
Criterion accords this seminal teen film a gorgeous transfer and a few nutritious extras.
These three films by Mai Zetterling are visually sumptuous and thematically trenchant.
You should buy a ticket at your local rep house for each title you buy, lest we run out of titles to laud here in the future.
This minimalist package is a tell that Criterion believes that the films speak for themselves.