Snyder’s space epic plays more to his strengths, but it can’t rise above his weaknesses.
If you’re looking for flash and snark, Boy Kills World has them in spades.
San Francisco Silent Film Festival 2024: Finding Clara Bow, Swashbuckling Restorations, & More
For its 27th edition, the festival presented 20 features and six short films over five days.
The festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye.
Matt Bettinelli-Olpin and Tyler Gillett’s horror comedy is sharp in more ways than one.
The film is held together by the intensity of its haunted-looking cast and the dour atmosphere.
The Ministry of Ungentlemanly Warfare Review: Guy Ritchie’s Cheeky, If Undercooked, WWII Yarn
Ritchie’s action-comedy never quite settles on what type of film it wants to be.
Minhal Baig’s film delicately captures both the wonder and tunnel vision of adolescence.
Matsunaga Daishi’s Egoist is a love duet full of intimate gestures.
In the end, the film reduces Winehouse’s life to little more than a sexist trope.
Mothers’ Instinct Review: A Hitchcockian Thriller That Wants for a Double Dose of Camp
The film awkwardly pitches itself between a somber drama and antic melodrama.
Challengers is an intoxicating showcase for the beauty and excitement of bodies in motion.
The filmmaker brothers discuss how Bigfoot straddles the human and the animal world.
Arcadian Review: A Subdued Nicolas Cage Anchors Strikingly Effective Creature Feature
The film rockets toward an action-packed finale filled with inventive touches and effects work.
Loach discusses the connection between form and content throughout his body of work.
The film captures the putrefaction of colonial rule with a morbid sense of humor.
LaRoy, Texas Review: John Magaro and Steve Zahan Enliven Coen Brothers Karaoke Night
Writer-director Shane Atkinson’s film wears its Coen brothers influence on its sleeve.