McElwee discusses, among other things, his new film and staring down the loss of his son.
Ozon discusses finding fresh ways to approach his favorite genre.
The filmmaker discusses shooting and editing his film, and working with Adam Horovitz.
The actors discuss their new film and the persistent pressure to couple up.
Vega discusses how she brought her experiences as a trans woman to the role of Marina.
This man of many hats riffed on male anxiety, the lasting appeal of the horror genre, and more.
Shaw and Weaver discuss the production and why it remains so important for them to keep the spirit of the Split Britches alive.
The actress discusses the unconventional way she approaches her performances.
The filmmaker has the regal countenance of a Viennese baron—or maybe a Bond villain.
Bening and Bell discuss Gloria Grahame and Peter Turner’s relationship.
The affable actor talked to us about playing a self-doubting beta male.
The old family friends discuss working together and how women have been treated in Hollywood and how that’s changing.
The actor discusses how he throws himself physically into his roles.
Trier discusses the challenges he sets up for himself as a filmmaker with each new project.
We spoke to Seimetz about achieving a “live wire” atmosphere on set.
Berlinger discusses why audiences have responded so well to his latest documentary.
Lady Bird actress Laurie Metcalf discusses how being shy helped her as a young actor.
The filmmaker discusses the trust in the freedom of risk and discomfort.
Baker discusses how he works with first-time actors and why it’s hard to make character studies for American audiences.
Östlund says that he has no qualms about skewering his characters’ more blatant hypocrisies.
We talked to Urie about what it was like taking on the role originally made famous by the playwright Harvey Fierstein himself nearly four decades ago.