McElwee discusses, among other things, his new film and staring down the loss of his son.
Peppermint talks about her experience navigating the world of drag as a transgender woman.
Nanjiani discusses standing up to racists, whether he might be a desi Sidney Poitier, and more.
Our talk ranged from the common themes that unite her films to Jason Momoa love of knives.
The Texas-born Shults talks about the film as a product of our moment.
He discusses staying excited about new projects, the luscious power of the theater, and more.
Demetri discusses how an early confrontation with mortality gave Dean its shape and resonance.
Piñeiro discusses his approach to Shakespeare, the meaning of objects, and his evolving visual vocabulary.
Like everything else Coppola-branded, Eleanor’s film is a family affair.
The actress is quick to laugh, yet thoughtful in her almost free-associative answers.
Jacobs discusses the chemistry between Winger and Tracy Letts and how it felt to cede ownership of his film to viewers.
Among our topics of conversation is why Frank Darabont sees him as a latter-day John Garfield.
Defying expectations was a common thread throughout our chat with the actress.
Hill ciscusses his new film and what he thinks about being called an “action director.”
The auteur discusses the film’s casting process, his influences and his desire to deviate from them, and more.
The British actor discusses his attraction to historical adventures and more.
The Spanish filmmaker discusses maintaining his uniquely playful sensibility on a bigger budget.
Journalist Mark Harris discusses Five Came Back and Hollywood’s past and present.
The filmmaker discusses Arrow Video’s two new restorations of his seminal debut feature.
Clowes talks, among other things, the treacherous straits of adapting from page to screen.
The actor talks about the best and worst parts of being on a TV show like Girls.