McElwee discusses, among other things, his new film and staring down the loss of his son.
Biscayart discusses acting as a form of therapy and why more people should think about dying.
We talked with Ai about his new film’s political and aesthetic virtues.
We discussed depicting the past and politics, as well as the crossover between JR and Varda’s art forms.
The brothers discuss the hot-button issues at the film’s center and their unique filmmaking approach.
Wingard discusses how Death Note fits into his larger career ambitions.
Stanfield discusses why acting in Get Out was an out-of-body experience, how the internet nurtures creativity, and more.
The Oscar-winner discusses her activism and the liberations of shooting a complex film quickly.
The filmmakers discuss their ideas in an ardent repartee that’s quintessentially New York.
Among other things, Plaza spoke to us about how having a stroke at age 20 has informed her work.
Bonello discusses the intersection of pop culture and terrorism, Dawn of the Dead, and more.
Dowd often slipped into character while talking, as her own past self or one of the women she’s played.
Kogonada on working with Haley Lu Richardson and John Cho and seeking “modernism with a soul.”
The filmmaker discusses the stories that hide in between the lines of art.
Mooney talked to us about nostalgia, VHS collecting, and getting trolled by Donald Trump.
Weinstein discusses filming one of New York’s most cloistered communities.
DeBessonet sits down with us to discuss directing her first Shakespeare in the Park production.
Rossi discusses how he brought Okpokwasili’s vision of radical empathy to the screen.
Lowery discusses his outlook on jumping back and forth between Hollywood productions and micro-budget indies.
The actor discusses how he brings to life a remarkably specific strand of white-collar evil.
Morris discusses his new film’s meditation on changing times, mediums, and identity.