Paige’s search for an in-ring persona mirrors the dynamic between performance and identity at work in pro wrestling.
Confusingly, the film rejects the commonplace notion that women actually have a decent grasp of what men think.
It was clear that current issues and events had a significant impact on the programming decisions.
Throughout Caniba, there’s a singularly disquieting relationship between the filmmakers’ formal experimentation and their subject.
The Oath seems to say that the worst part of a full-fledged American dystopia would be the ruined holiday dinners.
Wash Westmoreland’s acutely told film relishes the messy details and ambivalences of Colette’s life.
The married filmmakers discuss their creative process, style versus substance, and more.
Writer-director Augustine Frizzell’s film is funny and surprisingly tender, if at times frustratingly uneven.
The filmmaker discusses her inquiry into Argentina’s colonial past, shooting on digital, and more.
Atsuko Hirayanagi’s feature-length directorial debut offers a surprising take on the tricky art of communication.