Criterion has outfitted Cholodenko’s breakthrough debut with a good-looking transfer.
Jewison’s sublime romantic comedy gets a handsome home-video package from Criterion.
Kino outfits Siegel’s underrated gothic masterpiece with an appropriately luscious restoration.
Eastwood’s directorial debut is a thriller with the loose, impressionistic swing and free-floating sting of a midnight jazz song.
Weill’s subtle, masterful dramedy is one of American cinema’s great character studies.
Zarchi’s cult classic gets a definitive home-video release from Ronin Flix.
Arrow has unleashed an absolute monster of a box set devoted to the exploits of our favorite giant, flying, saber-toothed turtle.
The film is a generous ode to a rural community and a touching intergenerational drama lavished with pictorial beauty.
Kino outfits Eastwood’s bleak western with a sturdy transfer that honors its savage beauty.
Joe Kidd ambles onto Blu-ray with an exemplary transfer and a couple of interesting extras.
The film gets a significant facelift from Blue Underground alongside a smattering of new extras.
This disc sheds light on an underrated, mournful western that anticipated the genre’s revisionism roughly a decade later.
This impeccable box set allows you to follow the development of one of contemporary Japanese cinema’s true visionaries.
Kino’s release of Furie’s seminal spy film boasts a strong A/V presentation and an abundance of fascinating extras.
Bong historic international breakthrough receives a superlative Blu-ray package from Criterion.
The Hit is an enigmatic, existential fable about crime and punishment.
Aronofsky’s influential hellride of a film gets a sturdy 4K upgrade and a few new extras that extol its technical merits.
Black Gravel is a bleak yet vital interrogation of West Germany’s struggles after World War II.
Criterion provides Godard’s freewheeling ode to amour and its ineluctable betrayal with a spiffy new 2K upgrade.
Wyler’s flawed yet fascinating film offers a look at a future Hollywood master in the nascent stage of his career.
The film may be a comparatively “straight” entry in Lynch’s filmography, but it’s nevertheless a rapturously beautiful and moving art object.