The film is a satirical skewering of the legacy of French imperialism.
Rivette’s masterpiece makes its long-overdue debut on Region 1 with an excellent A/V presentation and a bounty of superlative extras.
In Touki Bouki, rejection of one’s homeland is inextricably bound to a glamorization of the colonizer’s homeland.
Vinegar Syndrome’s new 4K restoration presents Satan’s Blood in all its fleshy, blood-soaked glory.
Criterion’s stacked single-disc release will hopefully elevate the film from a hidden gem to a crown jewel of ’80s youth films.
Criterion has beautifully preserved this vigorous portrait of New York City life that’s rarely depicted on screen.
The assortment of extras on Criterion’s disc help to contextualize the works of Africa’s most important filmmaker.
Criterion’s transfer of Bahrani’s feature debut is a testament to the film’s vital, unglamorous depiction of New York City in the wake of 9/11.
This nearly free-associational thriller has been outfitted with a beautiful transfer that underscores all its eerie nooks and crannies.
Man with a Movie Camera is still an intoxicating gateway drug for cinephiles.
The extras on this stellar release attest to the lasting importance of a filmmaker whose life and career were tragically cut short.
Given its sharp, intricate setup, the film’s subsequent straightforwardness is disappointing.
Kino shines a spotlight on an unsung Siodmak thriller and a particularly fine Charles Laughton performance.
Greenland is the most subdued disaster movie that Gerard Butler has ever made.
This set compiles a slate of overlooked films alongside an equally idiosyncratic series of extras.
Arrow’s release gives viewers the opportunity to experience the original cut of Kelly’s freewheeling satire for the first time.
Kino has outfitted the thriller with a beautiful transfer and a notable new commentary track.
The supplements on this release honor the film’s ambiguous, earnest, allusive spirit.
Arbelos’s restoration is so gorgeous that the film’s seven and a half hours slip by as smoothly as Tarr’s majestic long takes.
Time hasn’t dimmed the ability of these three late-period masterworks by the Spanish surrealist to provoke and confound.
Greaves’s anti-verité Symbiopsychotaxiplasm has lost none of its power over five decades.