Scorsese’s manic best picture winner looks sharper than ever on Warner’s UHD disc.
Anyone understandably bothered by the lapsed historical significance of the documentary will appreciate how Stone picks up the flack on his commentary track.
Undoubtedly careful, tasteful filmmaking. But, then again, Janet Frame’s writing could also be described as careful and tasteful.
Godard’s satire of the children of Marx and Coca-Cola still resonates today.
If you have any sense, you’ll rent and savor Trash instead.
Hardly a drag. Fifteen years later, Paris still burns with life.
A revealing but slender offering from a still-underrated funnyman.
We are racing toward an apocalypse of our own creation. This is who we are.
Sidney Lumet contributes a professional commentary, unexciting but competent, like many of his films.
Intellectuals from Roland Barthes to Kenneth Tynan have rhapsodized idiotically and sometimes touchingly about the Garbo phenomenon.
Twenty years after its theatrical release, the John McNaughton film has lost none of its impact.
Romanek’s best work poses a serious challenge to others working in his field: Are you gonna go my way?
Corbijn’s myth-making images forgive no one just yet.
The interactive menus and nature of the supplemental materials are witty, cute, and oftentimes frustrating.
Glazer’s obsession with the human body is what you get when you mess with us.
Stéphane Sednaoui’s images move in mysterious ways.
Iny, miny, mino, mo. Who’s the next motherfucker to go?
Come for Jimmy Fallon and Drew Barrymore but stay for the Farrelly brothers’ signature brand of romantic humanism.
It doesn’t look or sound like “the caca” but the story smells a little bit like it.
This “Special Delivery” DVD re-release is mostly a thinly disguised rehash of previously existing material.
Not every lesson is composed of what you want to hear.