Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
You know you’re a child of the ’80s if you still hear Harry’s police siren howl in the back of your memory.
Something of a step down for del Toro as a filmmaker and, lo and behold, he wins three Oscars.
From Patrick Wilson’s buttocks to the equally assy faces of the film’s gossipy stay-at-home moms.
From stage to film to DVD, will the Dreamgirls nightmare ever end?
The films of Alejandro Jodorowsky will blow your mind.
Michael Bay tarnishes the memory of another horror classic with an unnecessary remake.
Not much beyond a vintage trailer and a stills gallery, which is actually not so much a collection of stills but a batch of lobby display cards.
Cagney is well worth remembering, and this set is a good start to a specific corner of his career.
Scott’s next project is a remake of The Warriors. By the time of its release, Walter Hill fans will wish they could fold back time and prevent its making.
The most studied Best Picture nominee in ages, The Queen has been impeccably primped to neither offend nor elate no one.
Phantasm remains a hallucinogenic horror classic, and this seems to be the definitive DVD treatment.
Altman shows sensitivity to his outsiders, without false sentiment or even commentary.
Slant‘s student governing body has elected to peer pressure you into selecting The Chocolate War.
Anchor Bay went all out on making Phantasm III look great, and skimped on the extras (for anybody who cares).
Packed with bonus features, Re-Animator is lovingly brought back to life by Anchor Bay.
Not as wicked as the first set, but Gentleman Jim by itself makes it a must for fans.
With baseball season underway, it’s perfect timing to bring back this quotable classic.
Bobby is not better than JFK but it is not completely without value.
CBS DVD in association with Paramount presents the second season of Twin Peaks in near-pristine 1.33:1 hi-definition transfers.
Somewhere between swinging in Last Year at Marienbad and dropping spoons in Jeanne Dielman, Delphine Seyrig reached a domestic crossroads in Muriel.