This trilogy shows just how versatile and highly entertaining the Japanese samurai film can be.
Fans of the film shouldn’t throw out their Region 2 editions since New Yorker Video hasn’t upped the ante in quality control or in the features department.
Sahara may be B-grade drivel but the DVD may end up being the best-looking one of the year.
If it weren’t for Alice Faye’s spaghetti-legged can-can, In Old Chicago would be surprisingly devoid of heat.
Mandabi is the root of all evil.
You’ll want to fly out of this Nest, pronto.
That baby just spit up…right in his dad’s nyuts!
Some of Fred and Ginger’s best numbers, but get thee behind me, Harriet Hilliard.
Swing Time is Fred Astaire and Ginger Rogers’s masterpiece.
Top Hat is Fred Astaire and Ginger Rogers’s archetypal movie.
Is Sylvie Testud playing Björk on the DVD cover? Shhhh…it’s oh so quiet.
For anyone who’s glad they made the Children’s Day Society.
The 24 shorts chosen for this Kino set span the gamut of movements and styles.
You don’t get a raft overrun by monkeys, but you do get a chimp breaking the fourth wall by trying to tear the lens out of the camera.
Downfall challenges us not to derive schadenfreude from watching the Germans in the film getting flushed down the toilet.
Someone put Balseros on George W. Bush’s Netflix.
Also add the film to that ever-growing list of films only Earl Dittman likes.
The exploited tears of the wage-labor Garbage Pail Kids are a communist playground’s gain.
Suzuki finds romance on the warfront, sacrificing none of his subversive edge, meth-delirium, and disjunctive lyricism.
Few world-class auteurs direct debut films that so decisively define their impending themes.
Ice Princess once again proves that Disney probably loves your tween more than you do.