The film suggests something like a western-inflected musical riff on Design for Living.
They’re on the road to nowhere, and looking good getting there.
An underwhelming DVD package but Bright Leaves remains one of the most rewarding documentary experiences of the last five years.
Maybe the release of Land of the Dead will bring some needed attention to this avant zombie flick.
The disc’s audio is good: Not a single syllable out of Dakota Fanning and Larry Pine’s mouths goes unheard.
Ladies, ladies...please!
You know what you’re in for when mommy dearest happens to be the incomparable Joan Crawford.
Humoresque is a fine woman’s picture with an iconic Joan Crawford performance.
Howard Hawks said that a classic film has three great scenes and no bad ones. Despite its three great scenes, The Letter is no classic!
Unlike its many star basketball players, the film is both underachieving and self-hagiographic.
The must-own DVD of the year for pop-culture junkies and nostalgia wankers.
A parable that demonstrates that morals are inadequate, L'Argent is required viewing.
The Damned Don’t Cry isn’t a particularly good movie, but it’s a damned fine yarn!
Maxim’s writers should stick to reviewing breasts...and Florent Siri should stop making movies.
A spotless transfer all-around (the sterling silver is sterling and Christina Ricci’s hair is blacker than black), but the film is still ugly as sin.
The film’s near-mathematical approach to political intrigue is a great argument in favor of big government.
The film is a Frankensteinian fusion of every thriller made in Hollywood from Rosemary’s Baby to Don’t Say a Word.
It should be a snoozer, but the soundtrack makes it impossible to doze off.
Fans will want to opt for the Region 2 disc if they wish to hear Kim yap away over the non-stop spectacle of female degradation.
More raucous character study than Backdraft-style heroics; good but not quite great examples of either.
Mr. Skeffington is an arduous test of loyalty for Bette Davis fans.