McElwee discusses, among other things, his new film and staring down the loss of his son.
Kelly discusses the so-called “Cannes cut” of Southland Tales and his desire to incorporate new material into the film.
Close discusses coming to understand Mamaw as a person, her views of politics in film, and more.
Sorkin discusses what a present-day Abbie Hoffman would look like, Spielberg’s patronage, and more.
Domingo discusses Chadwick Boseman’s final performance, delivering a “sermon” to an ailing nation alongside Zendaya, and more.
The Japanese auteur’s latest demonstrates his mastery at straddling styles and genres.
Chopra discusses the joys of reappraisal, and why she doubts John Hughes could believe in the universes he created on screen.
Bradley discusses how the forces of collaboration and intuition inform her filmmaking process.
The filmmaker discusses how Shithouse reflects the specifics of a certain life experience.
Johnson discusses how the omnipresence of cameras is adjusting our relationship to the concept of memory.
The multihyphenate artist discusses why the medium she wants to work in comes before her ideas.
The veteran indie band discusses musical composite sketches, expanding their collaborative persona, and more.
The actor discusses his urge to utilize the happy accidents that can bring a scene to life.
The maverick filmmaker discusses working with the tarot, the surrealist moviement, and more.
Sheil discusses how she situates the specifics of work within such an ambiguous and allegorical film.
Rogen discusses collaborating with Simon Rich, how the film enriched his understanding of Judaism, the exhibition prospects of comedy in the streaming era, and more.
The actor discusses collaborating with Joe Swanberg and a wildly talented cast on his directorial debut.
The Rosses discuss how performance, accessibility, empathy, and nostalgia figure into their work.
Murphy discusses how she steered the film away from weepy clichés and toward an authentic portrayal of teenage experience.
The jazz trumpeter and composer discusses the evolving nature of his collaborations with Spike Lee.
Young discusses Josephine Decker’s unconventional processes and what she will take from the film to future projects.