McElwee discusses, among other things, his new film and staring down the loss of his son.
In a wide-ranging conversation, the actor discusses his film appearances, as well as all the life and roles in between.
The acclaimed crime novelist discusses his new collection of novellas, his influences, and more.
Never Rarely Sometimes Always breaks new ground for Hittman as a filmmaker.
In our wide-ranging conversation, we covered the hazy distinctions between past, present, and future in both Brazil and the United States.
O’Connor discusses the challenge of rendering a performance with a smaller delta between actor and character
Porumboiu discusses the links between his latest and Police, Adjective, the so-called “Romanian New Wave,” and more.
It’s to the immense credit of these two great actors that Ordinary Love is so inspiring.
The filmmaker discusses her elliptical approach to filmmaking and how she compels our active spectatorship.
Busch discusses his latest comic tearjerker, an homage to a rather unknown spate of movies from the early 1930s.
Balagov’s cinematic verve feels like an accomplishment not so much because of his age, but in spite of it.
The filmmaker discusses the public reaction of the film, bringing it to Emmanuel Macron, and more.
Redmayne discusses everything from calibrating his physicality in rehearsals to cultivating his imagination on a barren set.
Hausner discusses wanting to sustain the tension of the first act of a Body Snatchers production over the course of an entire narrative.
Our talk ranged from the personal to the political, her singular work to the cinema at large.
Apted discusses his relationship to his subjects, and his own transformation over the years.
Our conversation led us into discussion about how far Mr. Rogers’s philosophy can extend into today’s world.
Johnson discusses his affinity for the whodunnit, his love of Agatha Christie, Star Wars, and more.
Haynes discusses how the film quietly continues some of his aesthetic trademarks and thematic concerns.
Greenfield discusses how the film relates to her body of work and the warnings Americans ought to heed from it.
Richter discusses how he connects his classical schooling to one of his other early passions: outer space.