This is a modern game that embodies the spirit of the Dreamcast in totality.
The current video game landscape is a very different one than its most public face.
The Adventures of Elliot borrows exhaustively from The Legend of Zelda.
Hitman’s mechanics translate well to a 007 experience, though they’re sadly watered down.
The Dark Knight’s legacy goes extremely deep here.
The game is surprisingly physical, systemic, and, because of this, remarkably believable.
The latest game in the Yoshi series is fixated on emphasizing the joy of discovery.
A few cheap jump scares aside, nothing about Directive 8020 is surprising.
The game takes its time to reveal itself to be an intelligent and nuanced narrative RPG.
The exhilaration of Mixtape is in seeing its narrative completely break down walls.
Saros is a perfectly tuned bullet hell of astonishing kineticism.
This is the type of game that used to be Capcom’s bread and butter.
The album-identification tasks are fun little puzzles, but they’re also invitations to empathy.
An impish sense of humor blows through Titanium Court, less a breeze than a gale.
Suda51 discusses his preference for collage aesthetics and artistic collaborations.
The singer just got one step closer to releasing an official Bond theme.
The sheer volume of pastiche on display in Mouse: P.I. for Hire is overwhelming.