Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
There’s a lot of talent and promise on display in the film, but a dispiriting obligation to formula ultimately rears its ugly head.
A working-class hero is something to be in Jean Grémillon’s films from the 1940s.
As modest and urbane as the film, Criterion’s Blu-ray is a worthwhile upgrade from their 2006 DVD release.
Double your pleasure, double your evil with this two-disc combo pack loaded with garlic bunches of extras.
Sans extras, Olive Films’s handsome platter leaves the viewer no choice but to come up with their own take.
This Blu-ray is light on contextual supplements, but nearly immaculate on a technical level.
Full of sound and fury, signifying precious little.
Sometimes a classic film gets a grand reception on home video, and sometimes it has to sneak out by the fire escape.
Giulio Questi’s surrealistic anti-western gets a fine Blu-ray upgrade from Blue Underground.
This release features a spectacular A/V transfer that rightfully lends focus to the film’s excellent technical merit.
Russell’s kinetic head trip about the dangers of scientific self-indulgence comes to high definition in a forgettable package.
A film that barely saw the light of day, on a Blu-ray that almost didn’t happen, with an extended cut that fans thought they’d never see.
All of the extras are recycled from the DVD, so there’s some standard-definition content that’s suffered upscaling.
Criterion has taken considerable steps to update the look of the Samurai trilogy from their original DVD release of these films.
The Great Stone Face’s feature debut, now politely considered non-canon but worthwhile, is given a tidy high-definition release.
We have one hell of a package to anticipate in the future if this must-own Blu-ray isn’t the definitive presentation of the film.
Though essentially a “first world problems” farce, Annakin’s period racing comedy is built with enough love to resist crashing.
American Reunion is admittedly a bit of a relief after the cynical and indifferently made American Pie 2.
Though a lousy introduction to the late master of spontaneous memoir, Gray’s Anatomy is still more fun than getting an eye exam.
The anti-establishment hipness of this animated film from the 1960s is such that it uses sans-serif fonts!