Mostly remembered for its plot twist, Jordan’s film is marked by a deep sense of empathy.
The film is one of the major masterpieces of the young decade thus far.
The generous heaping of extras rightfully focus on the inventive comedic spirit of the film.
A frontrunner for worst film of the year, God Bless America is a bitter, unfunny diatribe masquerading as satire.
Fall in love with Paramount’s splendid Blu-ray transfer of Barbarella, even though it’s lamentably light on extras.
This is a slight but moving and unusual addition to the canon of modern American films depicting the plights of young(-ish) adults adrift.
Fans should be pleased with the gorgeous transfer and generous smattering of extras.
And Everything Is Going Fine is a moving tribute to its subject’s life on stage and off.
Simply the best television of 2011, presented on two gorgeous Blu-ray discs, courtesy of Fox Home Entertainment.
Fox’s handsome, if close to barren, two-disc Blu-ray set is just what the vet ordered.
This exceptional Olive Films release proves that the film’s greatness has endured.
If trees with tits, Hawaiian cannibals, and a muted Kim Novak performance don’t drive you mad, nothing will.
Wertmüller imbues her films with the popular (and populist) traditions of commedia all’italiana, a style of humor that traces back to medieval puppet theater.
Warner’s 1080p transfer of the film preserves the haunting, mythic quality of Vilmos Zsigmond’s work.
Olive Films delivers a crisp, pleasing transfer of this technically modest work.
Haters gonna hate, but as Sony’s excellent Blu-ray proves, The Artist keeps on charming through the backlash.
Godard fans will be forever indebted to Olive Films for releasing one of the director’s most challenging but least-seen films.
This set restores a high watermark in cinematic comedy to nearly full glory.
It’s a skeletal Blu-ray package, lacking any extras whatsoever, and boasting a middling, muddy 1080p transfer.
This non-classic has plenty of boilerplate pulp-Guignol appeal.
It’s a little disturbing that Brooks’s Oscar-winning comedy should get what amounts to a home-video brush-off.