At the center of the documentary is the struggle to reconcile the personal and political elements of art-making.
We’ve compiled the best feature-length adaptations of King’s work, excluding the mostly mediocre TV adaptations.
Arrow reminds us that time has been relatively kind to Barker’s sadomasochistic morality play.
The film too often suggests an Under Siege that’s been pointlessly larded with critters from Jumanji.
This magnificent set of essential restorations is a strong contender for Blu-ray release of the year.
This release comes outfitted with a spectacular array of fascinating extras and the best transfer of the film to date.
Viewed charitably, its sketchy protagonist and vague atmosphere are meant to achieve the effect of a parable.
Graham Swon undermines our expectations of horror-movie conceits, attempting to tap the primordial manna of oral storytelling.
After its promising first act, Craig Brewer’s film becomes a series of fleeting bits, allowing questions to pile up.
The film mixes a self-help message with moments of hard, cruel detail.
Criterion honors the beauty of this evocative film poem of a Japan that may be slipping away.
The film is in tune with the need to remain lucid and empathetic while in the maw of human extremity.
Michael Goi’s film comes to feel as if lacks a through line, collapsing into a series of disconnected horror-movie beats.
Kino’s restoration of Hitchcock’s first sound production happens to feature a gorgeous transfer of…a silent film.
Kevin McMullin displays a piercing awareness of the tensions that drive the dynamics of adolescent outsiders.
Vincenzo Natali’s film divests itself of stakes in the name of total meaninglessness.
First Love reveals itself to be an elegant and haunting Takashi Miike film in throwaway clothing.
The trilogy is accorded a series of breathtakingly, resonantly gorgeous transfers by Criterion.
Like most of Sorrentino’s films, Loro is closer to a stylistic orgy than an existential rumination on Italy’s heritage.
Zombie discusses how he corrals his films’ furious sense of energy and how sex appeal can trump common moral sense.