The series doesn’t conjure fury so much as a sense of what could have been.
In the season finale of Homeland, everyone is a pawn in someone else’s power play.
The roles the queens play on RuPaul’s Drag Race are best when they touch on the truth inside.
Better Call Saul understands that self-actualization isn’t inherently moral.
The episode thrillingly and daringly comes close to completely pressing down on the reset button.
The season finale of The Walking Dead functioned mainly as a prolonged teaser for the battle to come.
Sadly, Homeland can’t leave well enough alone and soon falls back on narrative shortcuts.
Two episodes in, and virtually none of this season’s queens have made much of an impression.
Journalist Mark Harris discusses Five Came Back and Hollywood’s past and present.
The episode is unique in the canon of the series for the sterling self-reflexivity of its sense of humor.
The episode is at its most artful when sound accentuates the way the storylines have been braided together.
The episode’s triumph is the way it continues to observe the fallout of large political actions.
Every opening episode of RuPaul’s Drag Race is, at the root, an orgy of first impressions.
Five Came Back has a dizzying power that testifies to film’s advantages over prose as a medium.
The attention to behavioral detail that goes into any given episode of The Americans is unlike that of any other show.
The actor talks about the best and worst parts of being on a TV show like Girls.
In tonight’s episode of The Walking Dead, both Sasha and Rosita’s quiet heroism comes into sharper focus.
Crafting a season around fake news and alternative truth is all for nothing if characters lose sight of what’s real.
The latest episode of The Americans thrillingly plants the seeds of a whirlwind of emotional reckonings.
The episode snaps the show back to its default position with much talk-as-lecture and oppressive foreshadowing.
The episode eerily and effectively depicts how stories can be orchestrated and flipped on a dime.