These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
The latest episode of Homeland proves the series is all too comfortable playing the long game.
Homeland’s season-six premiere provides a plausible dissent and voice for those who’ve been silenced.
Taboo is perched somewhere between the utterly baroque, the intensely theatrical, and the routinely expositional.
Some skillful writing diverts attention from the fact that this is a rather oddly structured episode.
It’s at its funniest when sending up the neuroses we’ve come to associate with romantic attachment and rituals.
Trollhunters blends the tropes associated with Guillermo del Toro with the anonymous tics of generic fantasy.
The midseason finale of The Walking Dead’s was as bleak as ever, but it closed on a major note of hope.
This year’s TV revealed new characters and narrative landscapes that cumulatively push toward artistic expression and personal liberation.
The episode provides more examples of the authoritarian fascism that gives this season an urgent sense of relevancy.
The episode is a reminder that not everyone reverts to his or her worst self under stress.
It looks like a new generation of leaders is about to emerge, and some of them are going to be women.
The latest episode of The Walking Dead approaches war and other forms of carnage from a new direction.
Angela Kang’s screenplay efficiently establishes the riches that are available to the Santuary’s elite.
The latest episode of The Walking Dead leaves questions unanswered in a presumably intentional way.
Though Stan Against Evil has an overarching plan, the characters and jokes don’t evolve along with the plot.
Instead of deflating myths of modern masculinity, Man with a Plan doubles down on them.
The Living and the Dead offers the pleasure of derivative yet confidently sustained atmosphere.
Every quick cut of a peaceful and happy time is a sliver of a lost past—or vision of a future that can now never happen.
As gentle and wise as ever, Rectify thus turns to humankind’s most fundamental questions.
The deeper that Chance delves into psychosis, the harder it is for audiences to pull away.