These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
Like many pilot episodes, the premiere of American Gods mows through a wealth of exposition.
The episode sticks to the more straightforward storytelling style that’s characterized this season so far.
From season to season of RuPaul’s Drag Race, the Snatch Game has the power to confirm frontrunners.
Dear White People is a funny and heartbreaking look at the thorniness of trying to develop one’s identity.
Another week, another episode of The Americans that’s notable for its pervasive lack of hurry.
Gomorrah is a violent gangster drama without a story, or gangsters, worth investing in.
The latest episode of Silicon Valley skewers the industry’s social mores and morals with precision.
Despite its impressively designed environment, the episode’s logic is strained.
When the episode shifts back into the workroom, it’s nothing but apologies and penitence.
Mystery Science Theater 3000: The Return invites one and all to enjoy the oddest pockets of film history.
The Immortal Life of Henrietta Lacks awkwardly and cumbersomely arrives at its revelations.
The Handmaid’s Tale is at its best when focusing on the oppressed, instead of the oppressors.
The series is committed to exploring the spaces between what we want to be true and what’s actually true.
The producers of The Americans are more than aware that they’re playing a very, very long game with their audience.
What sets the third season of Fargo apart from past seasons is its comparatively small cast of players.
This season premiere episode leaves the impression of it being constructed from bits of other stories.
Veep hints at the toxic careerism we imagine hiding beneath the surface of politics.
Whatever qualms fans may have about Drag Race’s streamlining, the challenges remain well placed.
The latest episode of The Americans is practically a treatise on the psychodynamic theory of guilt.
The series offers lifeless images that merely serve as repositories for endless exposition.