When Alex Timbers was 12 years old, he and an elementary school buddy had their own public access cable show in Manhattan.
Perhaps the most shocking aspect of provocateur Ivo van Hove’s slick remounting of Lillian Hellman’s The Little Foxes is that it really isn’t that shocking.
Busch discusses playing a mother superior in his new play, now at the Soho Playhouse.
Because the playwright has been stuck on a loop for the past decade without challenging himself, how can he possibly challenge his audience?
This has to be the toughest prediction year since Avenue Q shockingly walked away with the Best Musical prize six years ago.
Shear sat down with us recently to talk about her new play.