The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
NYU has a long tradition of swallowing up real estate and putting profit before culture and community.
Theoretically and visually, Equus is a dense monster of a play.
It’s a rare actor who can convey self-awareness without seeming self-conscious.
Intensity exacted a high price, and Kim Stanley seems to have paid it willingly, even gloatingly.