Frownland receives a Criterion edition worthy of its status as one of the boldest American indies of the last 20 years.
The film isn’t just a social and political landmark, but a technical and aesthetic one as well.
Today marks the start of Ryan Kelly and Adam Zanzie’s Spielberg blogathon.
Be crazy. And by crazy, I mean unhinged, unpredictable and inspired.
The original science fiction blockbuster, Metropolis is a high-water mark in the late silent era.
What is normal, really?
Can any slight, relatively little-seen film live up to the kind of reputation that increasingly surrounds Close-Up?
Read the eleventh and final installment in a series of countdown essays written for Salon.
Florescent lights. Combination locks. Clueless parents. Clueless teachers. Clueless friends. Paranoia. Alienation. Hormones. Zits.
I know. I can hardly believe the headline either.
Released 20 years ago this month, Spike Lee’s Do The Right Thing was one of the most controversial films of its time.
By stripping away the political context that made Forrest Gump a pop culture hot potato, this film isolates and magnifies its story’s emotional appeal.
Share your thoughts in the comments section to this article.
When the history of intellectual property law is written, January 12, 2009, should be marked as a decisive moment.
Following in the footsteps of casas Coppola and Makhmalbaf, The House Next Door is proud to present a genuine family affair.
So many truths only become clear with hindsight. Here’s one of them: Unbeknownst to nearly everybody, even those closest to him, Andrew Johnston was a superhero.
It seems not at all coincidental that Don is visually defined by that broad-shouldered suit and the hat that shades his eyes.
This is a short documentary about Peanuts animator Bill Melendez.
Pulse, about dead souls spilling through the Internet, isn’t just scary, it’s primally disturbing.
At the Death House Door slowly and subtly reveals itself to be about far more than one pastor’s life.