Mac discusses experience of starring in Sarah Ruhl’s show and the projects waiting in the wings.
A new play at the Classic Stage Company, Unnatural Acts, takes us back to period of intolerance that is hopefully unthinkable today.
The great Tennessee Williams, unsurpassed poet of the theater and incisive chronicler of the human soul, was born 100 years ago this March.
Certainly, taking Bergman’s minimal characters and haunting island setting from celluloid to three dimensions was not a ready-made feat.
Subterranea: An Urban Fairytale is the latest production from underappreciated aerial troupe extraordinaire Suspended Cirque.
The show’s powerfully invasive aesthetic conveys the idea of our moral and political consciousness struggling to free itself from inaction.
The play is a heady Brechtian mashup that surprisingly charms rather than ironically alienates.
One of the season’s biggest theatrical spectacles is not on Broadway.
I spoke with Joseph last month, when the play was still in previews.
Robin Williams’s casting is one of the more astute choices for Moises Kaufman’s solidly crafted production of Rajiv Joseph’s Pulitzer finalist.
Okay, the gripes are gonna come out first.
If the already terrific Something Something Über Alles were a multimedia production it would be Obie Obie über alles as well.
Any native of a downtrodden city will tell you that there’s an undeniably authentic quality to the work here.
Nothing could have prepared me for Rapp’s chilling, unrelentingly committed glimpse into dystopia with Nursing.
The joy of watching Daniel Kitson comes from the performer’s own (very British) love of language.
You can’t swing a cat in this town without hitting a theater with a dysfunctional family drama, and this one even has the kitty to prove it.
Adam Bock’s plays need to be handled as delicately as someone balancing an egg on a spoon from room to room.
‘Tis the season for surreal culture shock.
Haunted might have benefited from more claustrophobic surroundings.
The top-notch ensemble that breathes life into these characters is compelling both for individual artistic talent and team workmanship.
David Duchovny orchestrates Neil LaBute’s new play like a virtuoso.