Jason Fitzgerald

Review: The Visit

The Visit feels like a Grimm fairy tale conspicuously missing a moral.

Review: Side Show at the St. James Theatre

Review: Straight White Men at the Public Theater

South Korean-born playwright Young Jean Lee both does and doesn’t traffic in subtlety.

Review: It’s Only a Play at the Gerald Schoenfeld Theatre

Review: generations at Soho Rep

Review: The Killer at Polonsky Shakespeare Center

Review: Macbeth at Park Avenue Armory

Review: If/Then at the Richard Rodgers Theatre

Review: Caryl Churchill’s Love and Information at New York Theatre Workshop

Review: The Life and Death of Marina Abramović

Review: The Glass Menagerie at the Booth Theatre

A Charming Imperfection: Big Fish at the Neil Simon Theatre

Anti-Capitalist Tragedy: Matt Charman’s The Machine

The Machine, in short, is an anti-capitalist tragedy that spends half its time looking like a sci-fi melodrama and the other half like a biopic.

Storybook Characters: John Cassavetes’s Shadows at Jack

Melodrama for the Anti-Capitalist Crowd: A Public Reading of an Unproduced Screenplay About the Death of Walt Disney at Soho Rep