We ranked the Queen of Pop’s discography, from her self-titled debut to Confessions II.
To celebrate Annie Clark’s latest release, we’ve ranked all eight of the musician’s studio albums.
TCMFF continues to valiantly pursue the preservation of Hollywood film history.
For its 27th edition, the festival presented 20 features and six short films over five days.
Mac discusses experience of starring in Sarah Ruhl’s show and the projects waiting in the wings.
The festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye.
The filmmaker brothers discuss how Bigfoot straddles the human and the animal world.
We took a look back at the singer’s evolution as an artist and ranked all of her albums from worst to best.
Loach discusses the connection between form and content throughout his body of work.
Bonello discusses The Beast and Coma, his understanding of time and the self, and more.
McKay discusses the connections between his two latest performances.
On the occasion of Godzilla x Kong’s release, we ranked the films in the Godzilla franchise.
Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
The filmmaker discusses his approach to depicting the present day as a historical moment.
To celebrate the album’s enduring legacy, we’ve ranked all 11 songs from worst to best.
A highlight of this year’s festival was the focus on the work of Basma Al-Sharif.
We may as well just light it up and acquiesce to the inevitable all-consuming blast.
Chernov discusses what guides his camera, Russia’s weaponization of disinformation, and more.
Manning Walker discusses what different audiences have made of the film’s ambiguities.
What makes IFFR so endearing is an atmosphere that’s joyful and devoid of self-importance.
Avilés discusses why it’s important to be in touch with a collective consciousness.