From Taylor Swift to The Tortured Poets Department, we’ve ranked all of the singer’s studio albums.
Director Domee Shi and producer Lindsey Collins discuss what the role of storytelling can be in creating change.
For all his density and heady conceptualism, Klaus Schulze remained a playful, earnest maker of music all his life.
Don Winslow discusses how he’s seeking to establish crime fiction as another grand thread in the canvas of the entire storytelling tradition.
Here’s hoping that TCMFF marches forward and continues to remind us of every reason why the movies are so essential.
Interview: Pamela Adlon on Bringing Out the Dead for the Final Season of Better Things
Pamela Adlon discusses the pitch for Better Things, the evolution of her TV kids, and the supernatural sinew that holds it all together.
Eggers discusses how he came to comprehend Viking mentality and morality, as well as how he executes his meticulous method on set.
Laurie Anderson’s Big Science is an immense structure, generously democratic, as approachable as it is enigmatic.
The slipperiness of that word, “reel,” points to cinema’s complicated relationship to the reality of what it shows the audience.
Jacques Audiard discusses how he avoided packaging Paris in nostalgic trappings, and what motivated his stylistic choices.
If Ultra served as a spiritual rebirth for Depeche Mode, it was also a transitional work in the band’s catalog.
Daniel Kwan and Daniel Scheinert discuss why they think the world has caught up to their style of storytelling.
Jones and Kurzel discuss Nitram’s cultural and emotional specificity, and why some Australians wish that it had never been made.
Even if this isn’t actually The End of Movies As We Know It, it’s unmistakably The End of Peak Oscar.
Kristen Stewart discusses Spencer’s depiction of Princess Diana, the idea of personal sacrifice for one’s country, and more.
Sin! Booty-shaking! Sexy lingerie! Gambling! Home-wrecking dames! Gents who won’t take no for an answer!
Jane Campion discusses the latest notch in her increasingly notch-heavy belt, her vision of the American West, and more.
Franz Rogowski discusses why he doesn’t feel the need to go overboard in preparing to act out unfamiliar circumstances.
Calling Erykah Badu’s Baduizm a better blueprint than it is an album isn’t meant to diminish its impact.
It’s once again AMPAS’s moment to show what side of history they want to be on.
Feelings are unutterable and intimacy unbearable in the Japan depicted in Kudo Riho’s Let Me Hear It Barefoot.